Páginas

On education


GOOD-BY GYMNASTICS OR THE PUDDING BRIBE IS OVER
Elvia Rosa Castro

Only nine days elapsed between November 30, 1979 and December 8 of the same year. The album The Wall, produced by Harvest Record, Columbia Records and Capitol Records, was presented first in USA and then in the United Kingdom.

On Jorge Wellesley's poetic




LOSING THE ENTHUSIASM FOR WRITING AFTER HAVING WRITTEN
By: Elvia Rosa Castro.



About personal identity

UNCOVER YOURSELF, GET OUT OF THE CLOSET OR THE CHIMERA OF THE WEST
by Elvia Rosa Castro

Huella cósmica, obra de Glenda León

 (Huella cósmica, by Glenda León)

In my head, by Sandra Ramos



(In my head, by Sandra Ramos)

Last book

Ediciones Unión published the last poem book by Omar Pérez, Lingua franca, wich in my opinion has the same aura of my last book El observatorio de Línea even belonging to differents genres.
If you can buy, do it or try to get it.

Portugal Arte 10

Cuban artists who will participate in Portugal Arte 10



Portugal Biennial


Next 16th July will be opened Portugal Arte 10, first art Biennial in the Lusitanian's history.
Cuba will participate with a big group exhibition wich include media art, works for public spaces and inside door pieces.
It's says that is the contemporary cuban art bigger show in it's history shown abroad.

Endless love

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By Elvia Rosa Castro

Also for Ana Mendieta

In the spring of 2007 Berlin was full of ads that read as a slogan: "The most beautiful come from New York". Those posters referred to the sample of impressionistic art from the Museum of Modern Art of New York that was being exhibited in those days in the German capital. Such phrase not only provoked the French and had a very fine and hyperbolic sense of humor but also alluded to a well known truth: the repertoire of universal art of all times and latitudes that for different reasons is treasured in museums and private collections in the United States of America is overwhelming.

It would suffice to recall just the excellent sample Cubism and Abstract Art exhibited in the United States in 1936 as a result of the tours undertaken by Alfred Barr in the European continent, specifically in the Soviet Union (1927) in spite of the fact that his visit to Moscow deceived him a little, since he found that many of the great Russian artists at the time were devoted to design and to serial productions, as in the case of the so-called factography. But still, that great exhibition remained, even though the representation of this period was minimal.